Ulrika Fredrika Pasch – Adolf Ludvig Taurus
1780. 78×64.5
Location: National Museum (Nationalmuseum), Stockholm.
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Here we see a man of apparent means, dressed in fashionable clothing indicative of the late 18th century. He wears a light blue coat with numerous small buttons running down the front, paired with a white ruffled cravat tied loosely at his neck. A black hat, adorned with a spray of golden flowers or foliage, sits atop his head, adding a touch of playful elegance to the overall presentation. His hair is styled in soft curls, characteristic of the period’s aesthetic preferences.
The artist has rendered the subjects face with careful attention to detail. The complexion appears fair, and the eyes possess a directness that suggests confidence or perhaps a subtle challenge to the viewer. A slight smile plays on his lips, contributing to an impression of amiable self-assurance. The lighting is soft and diffused, highlighting the contours of his face and clothing while minimizing harsh shadows.
Beyond the straightforward depiction of a gentleman in formal attire, the painting conveys certain subtexts related to status and identity. The elaborate dress signals membership within a privileged social class. The placement of the hand on the chair back suggests relaxed authority; it is not an aggressive gesture but one of comfortable control. The floral embellishment on the hat introduces a note of frivolity that might be interpreted as a display of refined taste or even a subtle indication of personality beyond mere formality.
The oval format itself, common in portraiture of this era, contributes to the sense of contained elegance and reinforces the subject’s individuality within a defined space. The overall effect is one of carefully constructed presentation – a visual statement designed to convey not only physical likeness but also social standing and personal character.