Ulrika Fredrika Pasch – Kristina Sofia Silverskold
Location: National Museum (Nationalmuseum), Stockholm.
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The woman’s hairstyle is characteristic of the mid-18th century; its elaborately constructed with voluminous curls piled high on her head, adorned with small floral accents that echo the soft pink tones of her dress. The hair itself appears meticulously arranged, suggesting a deliberate presentation of status and refinement. Her complexion is pale, fashionable for the period, and rendered with careful attention to subtle gradations of light and shadow. A single pearl earring dangles from her ear, adding another element of understated luxury.
The gown she wears is a confection of delicate fabrics – lace, silk, and ribbon – all in shades of pink and cream. The bodice appears fitted, emphasizing the narrowness of her waist, while the sleeves are voluminous and embellished with large bows. A black choker sits at her neck, providing a stark contrast to the lightness of the dress and drawing attention to her face. She holds a dark-colored object – possibly a fan or small book – in her left hand, which is positioned near her chest, suggesting modesty and restraint.
The overall effect is one of studied elegance and controlled emotion. The subtexts embedded within this portrait suggest an emphasis on social standing and the performance of femininity during the period. The carefully constructed appearance speaks to the importance of outward presentation and adherence to societal expectations. The slight hesitancy in her gaze, however, hints at a complexity beneath the surface – perhaps a quiet intelligence or a sense of self-awareness that transcends the prescribed role she embodies. The dark background creates an atmosphere of intimacy while simultaneously isolating the subject, reinforcing the notion of individual identity within a structured social framework.