Jean-Jacques Scherrer – Joan of Arc (1412-31) Leaving Vaucouleurs 23rd February 1429
oil on canvas
Location: Hotel de Ville, Vaucouleurs, France
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A knight, fully armored, stands directly beneath the woman on horseback, his posture suggesting deference or perhaps a protective role. He is partially obscured by her mount, which is a large chestnut-colored horse. A small group of soldiers are visible atop the gatehouse, observing the departure.
The surrounding crowd displays a range of emotions and reactions. Some individuals kneel in prayer or show signs of distress, while others appear to be offering farewells. The clothing suggests a medieval setting; rich fabrics and elaborate headwear distinguish certain figures from the more plainly dressed populace. A banner bearing heraldic symbols hangs from the gatehouse, adding another layer of visual information regarding allegiance or location.
The artist’s use of light contributes significantly to the narrative. Strong illumination falls upon the central figures, highlighting their importance within the scene and creating a sense of drama. The shadows cast by the architecture add depth and reinforce the imposing nature of the fortress.
Subtleties in the portrayal suggest themes of faith, duty, and departure. The kneeling figures imply a reliance on divine intervention or guidance. The knight’s presence underscores the societal expectations placed upon women during this period – requiring male protection and endorsement for undertaking significant actions. The overall atmosphere conveys a moment of transition, marking the beginning of a journey fraught with uncertainty and potential peril. The artist has carefully arranged the elements to evoke a sense of solemnity and anticipation surrounding this pivotal departure.