Khem Karan ( Attrib) – bs-ahp- Khem Karan Prince Riding On An Elephant
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To the left, another individual, clad in pink robes, waves a vibrant orange cloth or banner, creating a dynamic visual element that draws the eye across the scene. This figure’s gesture seems less formal than the princes demeanor, suggesting a role perhaps closer to ceremonial or celebratory function. A third man, positioned on the right side of the painting, is depicted in motion, holding what appears to be a weapon – possibly a spear or lance – and running alongside the elephant. His posture conveys urgency and purpose, contrasting with the more static poses of the other figures.
The background is rendered in a warm, ochre tone, which contributes to an overall sense of richness and formality. The artist has employed a flattened perspective characteristic of miniature painting traditions; depth is suggested through size variations rather than linear recession. The elephant’s skin is meticulously detailed with intricate patterns, highlighting its importance within the narrative.
Subtly, the work conveys themes of power, status, and procession. The princes elevated position on the elephant underscores his authority, while the accompanying figures seem to be involved in a display of loyalty or celebration. The movement introduced by the waving banner and the running man injects a sense of dynamism into what might otherwise be a static portrayal of hierarchy. It is possible that this scene depicts a royal procession or a ceremonial event, intended to showcase the power and grandeur of the ruling class. The elephant itself serves as a potent symbol of strength, majesty, and dominion – a fitting mount for a person of high rank.