Part 1 Prado museum – Amigoni, Jacopo -- Zenón de Somodevilla y Bengoechea, marqués de la Ensenada
1750, 124 cm x 104 cm, Lienzo, Óleo. Jacopo Amigoni
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The man’s clothing is richly detailed. A dark blue coat with gold embroidery is draped over his shoulders, secured by a vibrant red sash that diagonally crosses his chest. Numerous medals and decorations are pinned to his garments, signifying high rank and significant service. The sleeves are wide and cuffed in white lace, adding another layer of opulence. He holds a trifold document or fan in his left hand, positioned near his waist; this gesture is both elegant and controlled.
Behind the subject, a heavy green curtain hangs to the left, partially obscuring an architectural structure composed of classical columns and arches. This backdrop suggests a grand building, possibly a palace or government edifice, reinforcing the sitter’s position within a system of power. The light source appears to originate from the upper left, illuminating his face and highlighting the textures of his clothing.
Below the lower edge of the curtain, a glimpse of a seascape is visible. Several ships are anchored in the water, hinting at maritime trade or naval influence – elements likely significant to the subject’s role. The horizon line is low, allowing for emphasis on the figure and the architectural backdrop.
The composition aims to convey not only the individuals status but also his connection to a larger political and economic framework. The deliberate arrangement of objects – the sash, medals, document, and seascape – all contribute to constructing an image of a man who is both personally distinguished and deeply embedded within the structures of authority and commerce. The overall effect is one of dignified power and controlled self-presentation.