Daniel Merriam – PassingThrough
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A train, rendered in muted yellow and green hues, traverses an elevated railway line that is integrated into the rock face and supports the structure. The tracks curve gracefully through arched supports, creating a sense of continuous movement. This transit element isn’t merely incidental; it appears to be integral to the very existence of the building, as if its stability depends on this ongoing passage.
The surrounding environment is enveloped in a soft, atmospheric haze, suggesting distance and contributing to an overall dreamlike quality. Dense foliage – primarily evergreen trees and ground cover – frames the scene, reinforcing the impression of a secluded, almost hidden location. The color palette is restrained, dominated by greens, greys, and muted yellows, which lends a sense of tranquility and quiet contemplation.
Several subtexts emerge from this arrangement. The integration of the building into the rock face suggests a blurring of boundaries between human construction and natural processes – a commentary perhaps on humanity’s attempts to impose order upon, or even merge with, the environment. The trains continuous movement implies themes of impermanence, transition, and the relentless passage of time. It also hints at a connection between progress (represented by the railway) and established structures, suggesting that advancement often relies on existing foundations. The building itself, with its Victorian architectural style, might symbolize tradition or a bygone era, now seemingly suspended in this fantastical landscape. Ultimately, the work evokes a sense of melancholy beauty, prompting reflection on the interplay between nature, architecture, and the human experience of time and movement.