Our Lady of All Sorrows, Joy with a kneeling warrior and archbishop (George the Victorious and St. Nicholas the Wonderworker) Vladimir Borovikovsky (1757-1825)

The composition presents a complex interplay of figures arranged across distinct registers, suggesting layered narratives and devotional significance. At the apex of the scene sits a central female figure, bathed in a radiant halo that emphasizes her elevated status. She is adorned with regal attire – a white gown accented by a pink mantle and a crown – and holds what appears to be an orb or scepter, further reinforcing notions of sovereignty and divine authority. Her posture conveys both serenity and maternal compassion as she gazes down upon the figures below.
To her left kneels a warrior clad in vibrant red armor. His gesture is one of supplication, his gaze fixed on the central figure with evident reverence. The details of his armor – the helmet, breastplate, and greaves – suggest a military background, possibly symbolizing protection or divine intervention in times of conflict.
On her right stands an older man, dressed in elaborate ecclesiastical robes, including a mitre and staff. He too appears to be engaged in prayer, holding what seems to be a book or manuscript, likely representing sacred knowledge or religious authority. The presence of these two figures flanking the central figure suggests their roles as intercessors or patrons within a specific devotional context.
Below this elevated plane, a group of individuals are depicted in postures of profound sorrow and despair. They huddle together on what appears to be a desolate landscape, with expressions of anguish etched upon their faces. The presence of skeletal remains scattered amongst them underscores the themes of suffering, mortality, and potential redemption. A body of water stretches out behind this group, populated by small boats – a detail that could signify hope for escape or passage to another realm.
The artist has employed a dramatic use of light and shadow to heighten the emotional impact of the scene. The bright illumination focused on the central figure contrasts sharply with the darker tones enveloping the suffering figures below, creating a visual hierarchy that emphasizes the distinction between divine grace and human hardship. The overall effect is one of poignant contrast – a juxtaposition of joy and sorrow, power and vulnerability, hope and despair – that invites contemplation on themes of faith, salvation, and the enduring nature of human suffering.