Amedee-David, Comte de Pastoret Jean Auguste Dominique Ingres (1780-1867)

The portrait presents a gentleman in a formal pose, occupying nearly the entire frame. He is depicted from the waist up, turned slightly towards the viewer with his body angled away. His expression is one of composed seriousness; the gaze is direct and unwavering, conveying an impression of authority and self-assurance. The lighting emphasizes his face, highlighting the contours of his cheekbones and the subtle sheen on his skin.
The man’s attire contributes significantly to the overall effect. He wears a dark, richly textured coat with elaborate embroidery visible near the cuffs. A red sash crosses his chest, adorned with what appear to be medals or decorations, signifying official honors. The presence of a sword hilt hanging from his side further reinforces an association with military or governmental service. His hands are positioned in a relaxed but deliberate manner – one resting on his hip, the other lightly touching the coat, suggesting both confidence and control. A ring is visible on his left hand, hinting at marital status or familial connections.
The background is relatively simple, consisting of dark wood paneling to the left and a heavy green curtain draped to the right. The curtain’s texture adds depth and visual interest without distracting from the central figure. Inscribed in the upper left corner are letters indicating his name and age (52).
Subtleties within the composition suggest a carefully constructed persona. The deliberate positioning of the hands, the direct gaze, and the formal attire all work together to project an image of status and importance. The subdued color palette – dominated by dark tones punctuated by the red sash – contributes to a sense of gravitas and formality. There is a studied elegance in his posture and expression that implies a man accustomed to privilege and responsibility. The overall effect is one of restrained power, suggesting not only social standing but also an individual who values decorum and self-presentation.