Ingres Madame Jean Auguste Dominique Ingres born Delphine Ramel Jean Auguste Dominique Ingres (1780-1867)

The drawing presents a seated woman in a three-quarter pose, rendered with meticulous detail using graphite on paper. She occupies the central position within the composition, her gaze directed towards the viewer with a directness that establishes a connection. The subject is dressed in an elaborate gown with a high neckline and sleeves gathered at the elbow; the fabric’s folds are carefully delineated to suggest volume and texture. A ribbon adorns her hair, pulled back from her face, revealing a smooth forehead and delicate features.
The woman rests her arms on what appears to be a table or armrest of a chair, with one hand gently supporting her chin in a gesture that conveys contemplation or perhaps a touch of melancholy. A book lies open upon the surface beside her, hinting at intellectual pursuits or leisure activities. The chair itself is simple in design, its back visible and contributing to the overall sense of restrained elegance.
The artist’s handling of light and shadow creates a subtle modeling effect, defining the contours of the face and body while maintaining a soft, diffused quality throughout. Theres an emphasis on capturing not only physical likeness but also a certain psychological depth; the expression is nuanced, avoiding any overt display of emotion yet suggesting an inner life.
The background remains largely undefined, allowing the focus to remain firmly on the subject. The inscription in the upper corners provides identifying information, though it does not overtly influence the interpretation of the portrait itself. Overall, the drawing conveys a sense of quiet dignity and refined taste, indicative of a woman belonging to an elevated social stratum.