Ingres Auguste Jean Marie Guenepin 1809 detail2 Jean Auguste Dominique Ingres (1780-1867)

The drawing presents a close-up study of a reclining figure, likely part of a larger composition. The subject is rendered in graphite on paper, exhibiting a focus on anatomical detail and drapery. A significant portion of the image is occupied by the upper torso and arm of a woman, positioned at an oblique angle to the viewer.
The artist meticulously delineated the contours of the body, emphasizing the curve of the shoulder and breast. The rendering of flesh appears studied, with careful attention paid to the subtle shifts in tone that suggest volume and form. A garment, possibly a tunic or robe, is draped across the figure’s chest and arm. The fabrics folds are rendered with precision, creating a sense of weight and texture. A row of buttons runs down the front of the garment, adding a detail that suggests a specific style of dress.
The hand, prominently displayed, appears to be engaged in an action – perhaps adjusting or holding the drapery. The fingers are individually articulated, demonstrating a keen observation of anatomical structure. A portion of the figure’s lower body is visible, resting on what seems to be a cushion or pillow.
In the background, a suggestion of architectural elements can be discerned: windows and columns hint at an interior setting, though these details remain somewhat vague due to their distance from the primary subject. The limited tonal range contributes to a sense of quiet contemplation and focused study. The drawing’s purpose seems primarily observational – a preparatory sketch intended to capture the nuances of form, light, and texture for use in a larger work. It conveys an impression of classical restraint and a dedication to precise representation characteristic of academic training.