Eugène Delacroix – The Abduction of Rebecca Metropolitan Museum: part 2

Metropolitan Museum: part 2 – Eugène Delacroix - The Abduction of Rebecca
Eugène Delacroix: French, Charenton-Saint-Morice 1798–1863 Paris 1846; Oil on canvas; 39 1/2 x 32 1/4 in. (100.3 x 81.9 cm)

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Metropolitan Museum: part 2 - Master of the Berswordt Altar - The Flagellation

Metropolitan Museum: part 2 - Attributed to Bernard van Orley - The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l’oeil with Painting of The Man of Sorrows

Metropolitan Museum: part 2 - Jean-François Millet - Retreat from the Storm

Metropolitan Museum: part 2 - Auguste-Hyacinthe DeBay - The Nation Is in Danger, or the Enrollment of Volunteers at the Place du Palais Royal in July 1792

Metropolitan Museum: part 2 - Auguste-Xavier Leprince - Man in Oriental Costume in the Artist’s Studio

Metropolitan Museum: part 2 - German Painter, 1440–50 - The Annunciation

Metropolitan Museum: part 2 - Lucas Cranach the Elder and Workshop - Saint Maurice

Metropolitan Museum: part 2 - Franz Anton Maulbertsch - The Glorification of the Royal Hungarian Saints

Metropolitan Museum: part 2 - Domenichino (Italian, Bologna 1581–1641 Naples) - The Lamentation

Metropolitan Museum: part 2 - Eugène Delacroix - Ovid among the Scythians

Metropolitan Museum: part 2 - William Powell Frith - The Two Central Figures in Derby Day

Metropolitan Museum: part 2 - Attributed to Antonio Zucchi - Three Dancing Nymphs and Reclining Cupid in Landscape

Metropolitan Museum: part 2 - Workshop of the Master of Frankfurt - The Adoration of the Christ Child

Metropolitan Museum: part 2 - German artist - Adoration of the Magi

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The picture has something of this: people, cavalry, group, Renaissance, baby, saint, veil, fish, allegory, mammal, woman, captivation, baroque, god, man.
Perhaps it’s a painting of a man riding on the back of a horse next to a man on a horse with another man.

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