Roerich N.K. – Maitreya. Album sheet
1932. Paper on cardboard, tempera. 25 x 36.5 cm.
Location: Latvian National Museum of Art, Riga (Latvijas Nacionālais mākslas muzejs).
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Behind this central figure stretches an expansive vista of mountains receding into the distance. These peaks are delineated with broad strokes and varying shades of blue, creating a sense of depth and atmospheric perspective. The landscape isnt depicted naturalistically; instead, it’s reduced to essential forms – undulating ridges and sharp angles – contributing to the overall feeling of stylized abstraction. A patch of green vegetation sits on an orange-red ground in the lower right quadrant, providing a small area of contrasting color and texture.
The palette is limited but impactful. The blues of the mountains create a cool backdrop against which the golden figure stands out prominently. The use of flat planes of color, rather than blended tones, contributes to a sense of formality and deliberate construction. Theres an absence of traditional shading or modeling; instead, light appears to emanate from within the central form itself.
Subtextually, the work seems to explore themes of transcendence and isolation. The figure’s placement before this vast, impersonal landscape suggests a solitary contemplation or perhaps even a spiritual journey. Its stylized nature implies that it represents something beyond the material world – an ideal, a concept, or a deity. The starkness of the composition and the limited color range contribute to an atmosphere of quiet solemnity, inviting reflection on themes of existence and spirituality. The deliberate simplification of forms suggests a desire to move beyond superficial appearances toward underlying truths.