Sketch of stained glass Roerich N.K. (Part 3)

The drawing presents a composition structured as a window, evoking the aesthetic and function of stained glass. The arrangement is divided into distinct panels, each containing figures engaged in narrative scenes. A warm, earthy brown background provides contrast and suggests a sense of depth, mimicking the architectural setting where such windows would typically reside.
At the apex of the design, a central figure with outstretched arms appears to be blessing or presiding over the scene below. Surrounding this figure are smaller depictions that seem to represent celestial beings or attendants. The upper panel immediately beneath shows three figures seated around a table; one is prominently positioned in the center, suggesting a position of authority or importance.
The subsequent panels depict scenes involving numerous individuals, often arranged in dynamic poses and gestures. One scene features a central figure standing with arms raised, seemingly addressing a crowd gathered below. The composition utilizes strong vertical lines to emphasize height and grandeur, while intricate details within each panel contribute to the overall complexity of the narrative.
A lower section portrays what appears to be a funerary or mourning scene, with figures clustered around a central platform. The use of linear forms and simplified shapes lends a stylized quality to the work, characteristic of medieval artistic conventions. The limited color palette – primarily browns, yellows, and blacks – reinforces this impression, evoking the muted tones often found in aged stained glass.
The drawing’s subtexts likely revolve around themes of religious narrative, divine authority, and communal mourning. The structured arrangement suggests a didactic purpose, intended to instruct or inspire through visual storytelling. The stylized figures and simplified forms point towards a focus on conveying symbolic meaning rather than achieving realistic representation. Overall, the work conveys a sense of solemnity and reverence, characteristic of the artistic traditions associated with religious iconography.