Roerich N.K. – The Saints visit # 6
1923. Canvas, oil.82 x 153 cm.
Location: National Museum of Serbia. Beograd
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The composition is divided into foreground, midground, and background elements. In the foreground, a rugged terrain rises sharply, rendered in earthy tones of brown and green. Three figures, clad in what appear to be long robes or garments, are positioned near the base of the hill, facing towards the structure above. Their posture suggests reverence or contemplation.
The midground features a body of water – a lake or river – extending into the distance. A small boat with a single occupant is visible on the waters surface, adding a sense of scale and human presence within the vastness of the scene. The background consists of distant mountains silhouetted against a sky suffused with an ethereal light.
The color palette is notable for its use of muted tones – ochres, browns, greens, and blues – creating a somber yet tranquil atmosphere. Rays of golden light emanate from behind the structure, illuminating parts of the landscape and contributing to a sense of spiritual significance. The artist employed a flattened perspective, reducing depth and emphasizing the symbolic nature of the scene rather than realistic representation.
Subtly, the painting conveys themes of faith, pilgrimage, and isolation. The figures in robes might represent pilgrims or devotees journeying towards a place of worship. The solitary boatman on the water could symbolize spiritual solitude or detachment from worldly concerns. The elevated position of the religious building suggests its importance as a beacon of hope or refuge. Overall, the work evokes a sense of quiet contemplation and reverence for something beyond the tangible world.