On Falut # 79 Roerich N.K. (Part 3)

The canvas presents a complex arrangement of forms rendered in a predominantly cool palette of blues, greens, and grays, punctuated by subtle hints of violet and white. The composition lacks discernible spatial depth; instead, the eye is drawn into a flattened plane where shapes interlock and overlap without clear distinction between foreground and background.
Here we see what appear to be fragmented organic structures – perhaps suggesting foliage or geological formations – arranged in an abstract manner. These forms are not depicted realistically but rather as simplified, angular projections defined by sharp edges and abrupt transitions in tone. The artist employed a technique that emphasizes the brushstrokes themselves; the visible texture of the paint contributes significantly to the overall visual effect, adding a sense of dynamism and immediacy.
The absence of a clear focal point encourages a wandering gaze across the surface. There is an unsettling quality to the arrangement – a feeling of something concealed or just beyond comprehension. The color scheme reinforces this ambiguity; the cool tones evoke a sense of melancholy or introspection while simultaneously suggesting vastness and distance.
Subtly, along the lower edge of the canvas, a dark band provides a grounding element, though it does little to clarify the scene. It serves more as a visual anchor that further emphasizes the ethereal quality of the forms above. The overall effect is one of fragmented memory or dreamlike recollection – a landscape not necessarily observed but rather felt or imagined.