Allegory of King Karl XI and Queen Ulrika Eleonora’s Association David Klöcker Ehrenstråhl (1629-1698)

The composition presents a complex tableau steeped in allegorical symbolism, centered around two figures depicted within an oval frame suspended amidst a swirling cloudscape. The overall effect is one of elevated grandeur and divine sanction.
Here we see a densely populated scene unfolding beneath a dramatic sky filled with cherubic figures and billowing clouds. Two putti hold aloft a laurel wreath, signifying victory and honor, while another cherub gazes down upon the central pair within the frame. This placement immediately establishes their importance and suggests a blessing or divine approval. The two individuals contained within the oval are rendered in profile, their faces exhibiting expressions of solemnity and dignity. Their shared portrait emphasizes their association, likely representing a union or partnership of some kind.
Below this elevated space, a throng of figures interacts with each other in a dynamic arrangement. A woman clad in classical garb, reminiscent of Roman armor and drapery, appears to be presenting the framed pair to another female figure who is adorned with a crown. This gesture suggests an act of investiture or formal recognition. Several other women are present, some holding mirrors which reflect the central figures, symbolizing truth, clarity, and perhaps the public perception of their rule. One woman lies prostrate at the base of the composition, seemingly offering tribute or acknowledging the authority of those above.
The architectural elements in the background – a classical building with a prominent portico – further reinforce the sense of order, stability, and adherence to established traditions. The use of light is significant; it illuminates the central figures and the woman presenting them, drawing attention to their roles within this symbolic narrative. The darker tones used for the lower portion of the composition create depth and contrast, emphasizing the hierarchical structure of the scene.
Subtly woven into the imagery are themes of legitimacy, power, and divine right. The allegorical nature of the work implies that the individuals depicted hold a position of authority not solely derived from earthly means but also sanctioned by higher powers. The mirrors suggest an emphasis on public image and the importance of maintaining a positive perception among the populace. The overall impression is one of carefully constructed propaganda designed to legitimize rule and reinforce the notion of a divinely ordained order.