David Klöcker Ehrenstråhl – Allegory of King Charles XI’s peaceful
Location: National Museum (Nationalmuseum), Stockholm.
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To the left of the throne, a woman in flowing green robes gestures towards the seated figure, seemingly bestowing a blessing or offering an olive branch – a traditional symbol of peace. Below this figure, a group of cherubic children playfully interact with what appears to be a sculpted lion, further reinforcing themes of prosperity and gentle rule.
On the right side, another woman stands, holding a mirror aloft. This gesture could signify reflection, truth, or perhaps the act of presenting an idealized image of the central figure to the world. Behind her, a male figure in Roman attire holds what appears to be a ceremonial staff or scepter, suggesting civic duty and governance.
The backdrop is dominated by rich red drapery and architectural elements that evoke a sense of grandeur and formality. A circular emblem hangs prominently above the throne, its symbolism remaining open to interpretation but likely representing an important aspect of the subjects reign or legacy.
At the base of the composition, a large lion lies prone, its mouth agape as if roaring, yet restrained by chains. This element introduces a contrasting note – a visual representation of potential conflict or danger that has been subdued under the figure’s rule. The discarded weapons scattered near the lion further emphasize this theme of peace achieved through the containment of aggression.
The color palette is dominated by warm tones – reds, golds, and greens – which contribute to an atmosphere of opulence and celebration. The use of light highlights the central figure and key symbolic elements, drawing the viewers attention to the intended message: a portrayal of a ruler presiding over a period of tranquility and stability, having overcome potential threats.