Bernardo Daddi (c.1290-1348) – The Temptation of St. Thomas Aquinas Part 1

The composition presents a scene unfolding within a defined architectural space, likely a chamber or study. A central figure, clad in monastic robes and positioned in prayer, dominates the foreground. His posture is one of supplication, hands clasped tightly as he looks upwards. The stark contrast between his white undergarment and dark habit emphasizes his spiritual devotion.
Flanking him are three figures with halos, immediately identifiable as angelic beings. They approach the praying man, their gestures suggesting an attempt at physical contact or influence. Their garments are rendered in delicate shades of pink and blue, creating a visual distinction from the somber tones of the monk’s attire. The angel closest to the viewer extends a hand towards him, while another seems to lean in with a persuasive inclination. A third figure stands slightly further back, observing the interaction with an expression that is difficult to decipher – perhaps concern or pity.
The setting itself contributes significantly to the narrative. An ornate ceiling, decorated with intricate patterns and populated by small figures arranged in rows, establishes a sense of grandeur and heavenly presence. A simple wooden cross affixed to the wall reinforces the religious context. The red carpet beneath the praying man’s feet provides a visual anchor and subtly alludes to sacrifice or martyrdom.
The subtext of this scene revolves around temptation and spiritual struggle. The approaching angels are not presented as benevolent protectors, but rather as agents of influence, potentially representing worldly desires or intellectual pride attempting to sway the monk from his path. Their proximity suggests an intimate and persistent challenge to his faith. The man’s posture conveys a sense of resistance, yet also vulnerability in the face of this spiritual pressure.
The artists use of light is noteworthy; it illuminates the central figure and the angels, drawing attention to their interaction while leaving portions of the architectural space in shadow. This creates a dramatic effect that heightens the emotional intensity of the scene. The overall impression is one of profound psychological drama, exploring the internal conflict between spiritual aspiration and worldly allure.