Paolo Bonomino – Portrait of Zenobia Benaglio Marenzi with dog
1737
Location: Academy Carrara (Accademia Carrara), Bergamo.
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The subject is dressed in opulent attire. A richly embroidered fur-lined coat, likely sable or similar luxurious material, drapes over her shoulders, signifying wealth and status. Beneath the coat, a white blouse with delicate lace detailing is visible at the neck. Around her throat hangs a string of pearls, further reinforcing an image of affluence. The elaborate coiffure, styled in tight curls beneath a decorative cap, adheres to fashionable trends of the period.
The dog, positioned close to the woman’s hand, is rendered with considerable realism. Its dark fur contrasts sharply with the lighter tones of her clothing and skin, drawing attention to its presence. The animal appears docile and loyal, resting its head on her arm in a gesture that suggests companionship and perhaps even protection.
An inscription above the figure provides identifying information, indicating she was the daughter of a noble gentleman and the wife of another. The date 1797 is also included, establishing the approximate time of creation. This textual element serves to anchor the portrait within a specific historical context and highlights the importance placed on lineage and social standing.
Beyond the straightforward depiction of an individual, the painting conveys several subtexts. The woman’s age and dignified bearing suggest experience and resilience. Her luxurious clothing and the presence of the dog speak to her elevated position in society. The inclusion of the animal can be interpreted as a symbol of fidelity or domesticity, reinforcing notions of virtue and stability. Overall, the work presents a carefully constructed image designed to convey not only physical likeness but also social status, personal character, and perhaps even a sense of enduring legacy.