#41637 Carlos Saenz De Tejada

The artwork presents a divided composition, split into two distinct scenes rendered in watercolor and graphite on paper. A handwritten note appears at the top, seemingly providing instructions or commentary related to the works execution.
On the left side, we observe a man seated in a wheelchair positioned near a body of water. He is dressed formally in a suit and hat, his posture suggesting an air of authority or perhaps discomfort. The wheelchair’s plaid upholstery contrasts with the somber tones of his attire and the surrounding environment. A small sailboat appears distant on the horizon, rendered as a simplified shape against a blue expanse. The man seems to be engaged in conversation with someone out of frame, his gaze directed away from the viewer.
The right side depicts a woman seated on an ornate chair, her pose conveying a sense of introspection or melancholy. She is clad in a dark dress that accentuates her figure and contributes to a mood of restrained elegance. Her hand is raised to her face, partially obscuring it, which adds to the feeling of vulnerability or contemplation. A small table beside her holds a bottle and glass, hinting at possible indulgence or solitude. The background behind her is rendered in muted tones, further emphasizing her isolation.
The juxtaposition of these two scenes creates an intriguing narrative tension. The man in the wheelchair seems to represent power or privilege, while the woman embodies introspection and perhaps a sense of confinement. The division between the scenes suggests a commentary on societal structures, personal struggles, or the disconnect between public image and private experience. The handwritten note at the top introduces another layer of complexity, suggesting that the work is not merely an observation but also a reflection on its own creation and intended meaning. The overall effect is one of subtle critique and nuanced emotional exploration.