Carlos Saenz De Tejada – #41648
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Above this structure, two stylized roosters are depicted in flight, their forms rendered with a distorted elegance that lends them an almost menacing quality. Their presence introduces a sense of chaotic energy into the otherwise static scene. Below, a donkey struggles against what appears to be the same imposing structure, its posture conveying distress and resistance.
To the right, a figure is partially obscured by a draped cloth. Only the face and hands are visible; the figure seems to be attempting to shield itself or perhaps to interact with the surrounding environment in a gesture of either protection or inquiry. The light source appears to emanate from behind this figure, creating an ethereal glow that further enhances the dreamlike atmosphere.
The background is populated by numerous indistinct figures, seemingly marching towards the central structure. Their uniformity and lack of individual features suggest a collective force, perhaps representing societal pressures or oppressive ideologies. They are rendered in a simplified manner, almost as silhouettes, emphasizing their role as an anonymous mass.
The drawing’s subtexts revolve around themes of oppression, resistance, and the fragility of individuality within a larger system. The stark contrast between the artificial structure and the natural landscape hints at a disruption of harmony, while the struggling donkey and the veiled figure embody individual struggles against overwhelming forces. The roosters could symbolize disruptive elements or perhaps herald impending change. Overall, the work conveys a sense of unease and foreboding, prompting reflection on the relationship between individuals and institutions, and the potential for both resistance and vulnerability within that dynamic.