#41601 Carlos Saenz De Tejada

The drawing presents a scene of apparent ritualistic celebration within what appears to be an artists studio. A central figure, depicted with elongated limbs and a somewhat awkward posture, stands before a series of framed panels. These panels are the focal point, each containing stylized depictions of figures radiating light or surrounded by symbolic objects – fruits, animals, and elaborate headdresses. The imagery within these frames suggests a blend of religious iconography and fantastical elements.
To the left of the central figure, an individual wielding a broom stands in a somewhat detached position, observing the proceedings with a curious expression. His attire – a top hat and slippers – introduces a note of whimsical formality to the scene. On the right, another figure, bearded and similarly attired, holds aloft what appears to be a ceremonial staff or scepter.
The composition is framed by a sense of theatricality; the panels function as stage backdrops, while the figures seem to perform for an unseen audience. The handwritten text at the bottom provides context: Great session of transformation to celebrate the arrival of the box (in the studio). This inscription suggests that the “box” represents something significant – perhaps materials, inspiration, or a new phase in the artist’s creative process.
The drawings style is characterized by its simplicity and linearity. The lack of shading emphasizes the figures outlines and contributes to an overall feeling of caricature. It seems less concerned with realistic representation than with conveying a sense of playful absurdity and esoteric ritual. The work hints at themes of artistic creation, transformation, and the incorporation of external influences into personal expression – all presented through a lens of gentle satire.