PO bcs 67 1932 FN 8 Cylindres Patrick van der Strict

The watercolor drawing presents a scene centered around a motorcar positioned on what appears to be a gently sloping road. The vehicle dominates the composition, its dark color contrasting sharply with the lighter tones of the surrounding foliage and architecture. Two figures are visible within the car: a man behind the wheel and a woman seated beside him. Both appear formally dressed, suggesting a degree of affluence or social standing.
The artist has rendered the landscape in a somewhat stylized manner, employing loose brushstrokes to depict the dense vegetation flanking the road. The foliage is predominantly green, with variations in tone that suggest depth and texture. A building stands on the left side of the frame, partially obscured by trees; its architectural details are simplified but hint at a Mediterranean or colonial style.
The composition’s perspective places the viewer slightly below the car, emphasizing its size and presence. The license plate, prominently displayed, bears a numerical sequence that contributes to the drawings documentary feel. Light reflects off the vehicle’s polished surfaces, creating highlights that add visual interest.
Subtleties within the image suggest potential narratives beyond a simple depiction of transportation. The woman’s posture and expression convey an air of restrained excitement or perhaps even apprehension. The man’s gaze is directed forward, suggesting determination or focus on the journey ahead. The setting itself – the combination of architecture and landscape – implies a specific location, possibly a vacation spot or a place of leisure.
The drawings overall tone is one of quiet observation, capturing a moment in time that speaks to themes of modernity, mobility, and social status within a particular historical context. It’s not merely a representation of a car; it’s an encapsulation of a lifestyle and the aspirations associated with it.