Part 4 National Gallery UK – Justus Sustermans - The Grand Duke Ferdinand II of Tuscany and his Wife
1660s
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The artist has rendered the man in elaborate military attire – a dark blue doublet with intricate silver embroidery, a high-collared shirt with delicate lace detailing, and a partially visible breastplate. This suggests a role involving leadership and defense, possibly indicating a military or political position of importance. He holds a long, ornate banner or standard, its crimson fabric providing a striking contrast to his clothing and drawing the eye upward. The flag’s presence serves as a visual marker of authority and lineage.
The woman is depicted in a dark, high-necked gown with subtle lace at the sleeves. Her posture is dignified, her gaze directed towards the viewer with an expression that conveys composure and perhaps a degree of reserve. She rests one hand on what appears to be a document or table draped in red fabric, further emphasizing her connection to governance and administration. The pearls adorning her neckline are indicative of wealth and status.
The background is dominated by heavy, dark draperies – gold on the left and deep brown on the right – which create a sense of depth and grandeur while also isolating the figures from any specific landscape or setting. This reinforces their symbolic importance as representatives of power rather than individuals within a particular environment. The lighting is carefully controlled; it illuminates the faces and upper bodies of both figures, highlighting their features and emphasizing their status.
Subtly, theres an interplay between the masculine and feminine elements. The man’s military garb and assertive stance are counterbalanced by the woman’s more restrained demeanor and elegant attire. This pairing suggests a harmonious union of strength and grace, essential qualities for those in positions of power. The overall effect is one of controlled formality, intended to project an image of authority, stability, and dynastic continuity.