lrs Victory Poteet Turn of the Ages of the Human Beings Poteet Victory

The composition presents a complex arrangement of geometric forms and symbolic imagery layered against a deep indigo background. The artist has employed a palette dominated by warm tones – ochre, red-brown, and gold – which contrast sharply with the cool blue backdrop, creating a sense of visual tension and depth.
At the center, a stylized face emerges from an intricate network of shapes. This facial representation is not naturalistic; instead, it’s constructed from concentric circles and angular planes, giving it an almost mask-like quality. A prominent clock face occupies the area where eyes would typically be, suggesting a preoccupation with time or perhaps a commentary on the mechanization of human experience. A sweeping curve resembling a wing or stylized flame extends upwards from this central figure, adding dynamism to the otherwise rigid geometry.
Flanking the central figure are several rectangular structures that resemble architectural elements or panels. Within these panels, circular motifs and what appear to be hieroglyphic-like symbols are visible. These markings contribute to an overall impression of ancient or archaic knowledge, hinting at a connection between the present moment and a distant past.
Below this upper section, a procession of animal figures – likely goats – moves across the lower portion of the canvas. They are rendered in a simplified, almost cartoonish style, their forms echoing the geometric patterns found above. This juxtaposition of stylized animals with the more complex symbolic imagery creates an intriguing contrast between the natural world and constructed systems of meaning.
The top edge of the painting is punctuated by a series of horizontal bands, further reinforcing the sense of layered structure and compartmentalization. The overall effect is one of dense symbolism and deliberate construction, suggesting themes related to time, history, ritual, and perhaps the relationship between humanity and the natural world. The work resists easy interpretation; it seems designed to provoke contemplation rather than offer straightforward answers.