Scroobius Pip Nancy Ekholm Burkert

The diptych presents a densely populated landscape teeming with animal life, rendered in a style reminiscent of late medieval illuminated manuscripts or early Renaissance tapestry design. A cool, nocturnal palette dominates, punctuated by the pale luminescence of a large moon positioned centrally within the left panel. The composition is deliberately chaotic, yet structured around a central axis that draws the eye upward toward a figure standing atop a classical-style staircase.
Here we see an abundance of creatures – mammals, birds, fish, and reptiles – all depicted with meticulous detail and a degree of anthropomorphic quality. A panda occupies a prominent position near the stairs, while other animals such as deer, zebras, leopards, bears, and various rodents are interwoven throughout the scene. The presence of numerous fish in the foreground suggests a body of water, though its precise nature is obscured by the density of the animal population.
The figure ascending the staircase appears to be dressed in elaborate attire, possibly indicating royalty or some form of elevated status. Their posture conveys an air of authority and detachment from the surrounding menagerie. The moons placement behind this figure suggests a symbolic connection between them and celestial power.
In the right panel, the scene continues with similar density of animal life, but the perspective shifts slightly to reveal more of the landscape’s topography. A fox-like creature, also dressed in elaborate clothing, is depicted holding what appears to be a musical instrument or staff, seemingly observing the chaotic scene below. This figures presence introduces an element of narrative intrigue – are they a participant, observer, or perhaps even a conductor of this strange gathering?
Subtexts within the work appear to explore themes of hierarchy and order versus chaos and abundance. The classical architecture juxtaposed with the wild animal population suggests a tension between human civilization and the natural world. The elaborate costumes on both the figure ascending the stairs and the fox-like observer hint at societal structures, power dynamics, or perhaps even satire of those in positions of authority.
The sheer volume of animals could be interpreted as representing fertility, prosperity, or an overwhelming sense of life’s abundance. However, their chaotic arrangement also suggests a lack of control or a potential for disruption. The diptych invites contemplation on the relationship between humanity and nature, power and responsibility, and order and disorder within a complex ecosystem.