Johan Tiren – Lapps Collecting Reindeer which have Been Shot
1892.
Location: National Museum (Nationalmuseum), Stockholm.
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The figures are dressed in traditional attire – thick woolen garments and fur caps – indicative of a people adapted to a harsh climate. A young woman is kneeling beside one of the fallen animals, her posture conveying a sense of focused attention or perhaps even reverence. Several men stand nearby; one sits on the ground examining a reindeer hide, while others observe the scene with varying degrees of engagement. A large draft horse, heavily laden with what appears to be provisions and hides, stands near the group, further emphasizing their reliance on animal power for survival. A small dog is present, adding a touch of domesticity to the otherwise stark environment.
The composition directs attention towards the central figures and the fallen reindeer, while the expansive background establishes a sense of isolation and the scale of the natural world. The subdued color palette – dominated by earthy tones of brown, green, and grey – reinforces this feeling of austerity and hardship. Light falls unevenly across the scene, highlighting certain areas while leaving others in shadow, contributing to a somber mood.
Subtexts within the painting suggest themes of survival, resourcefulness, and the relationship between humans and nature. The depiction of the hunt implies both necessity and potential exploitation of natural resources. The traditional clothing and customs point towards a culture deeply rooted in its environment, yet also potentially vulnerable to external forces or changes. There is an underlying sense of quiet dignity and resilience within the group, despite the evident challenges they face. The presence of the dog hints at companionship and emotional support in a demanding existence. Overall, the work evokes a feeling of melancholy contemplation on a way of life intimately connected to the land and its bounty.