Guy playing the horn Roerich N.K. (Part 2)
Roerich N.K. – Guy playing the horn
1912. Paper cardboard, white, graphite pencil, tempera, bronze, silver, or paper on cardboard, graphite pencil, gouache, bronze and silver paint. 24 x 15 (in the clear), 15.7 x 25 (with the substrate) cm.
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Location: Bakhrushin Theatre Museum, Moscow (Театральный музей им. А. А. Бахрушина).
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The artist’s use of color contributes significantly to this impression. A palette dominated by warm tones – reds, oranges, yellows – creates a vibrant and somewhat fantastical atmosphere. The figures attire is particularly striking: a white shirt with intricate embroidery contrasts sharply with the dark, flowing fringe that cascades down their back and legs. This fringe, rendered in shades of red and brown, adds to the overall sense of spectacle and obscures the body’s natural form, suggesting an almost otherworldly presence. The patterned leggings and decorative waistcoat further enhance this impression of elaborate costume design.
The face is rendered with a simplified, somewhat stylized quality; features are present but lack detailed realism. The eyes appear large and expressive, conveying a sense of focused concentration on the musical task at hand.
The background is minimal, consisting primarily of an unevenly applied beige tone that allows the figure to remain the focal point. Brushstrokes are visible throughout, contributing to a textured surface and suggesting a spontaneous or improvisational approach to execution. The edges of the composition appear somewhat rough, hinting at a preliminary sketch or study rather than a finished work.
Subtleties within the image suggest possible interpretations beyond a simple depiction of musical performance. The exaggerated costume could be read as a commentary on theatricality itself, perhaps exploring themes of disguise and role-playing. The figure’s posture – slightly bent forward with an intense gaze – implies a deep engagement with the music, potentially symbolizing passion or dedication to artistic expression. The overall effect is one of whimsical charm combined with a touch of melancholy, inviting contemplation about the nature of performance and the human condition.