Shepherd Roerich N.K. (Part 2)

The drawing presents a solitary figure, presumably male, standing centrally within the composition. He is depicted in profile, facing towards the viewers left. The subject appears to be dressed in traditional or folk attire, characterized by layers of fur and animal skin garments. A dark cap covers his head, framing a pale face with light-colored hair that falls past his shoulders.
The clothing consists primarily of what seems to be a thick, brown fur coat layered over a green tunic. The lower legs are encased in tall, furry boots or leggings. He holds a long, slender staff in his left hand and a small object – perhaps a pipe – in his right. These items suggest a pastoral existence, reinforcing the impression of a shepherd or similar rural figure.
The artist’s use of color is restrained, with earthy tones dominating the palette. The background is rendered in muted beige, which serves to isolate the subject and emphasize his clothing. Theres a deliberate flatness to the image; perspective appears minimal, contributing to an almost iconic quality.
Subtleties within the drawing hint at deeper meanings. The figure’s impassive expression and direct gaze create a sense of stoicism or perhaps even detachment. His attire suggests a connection to nature and traditional ways of life, possibly evoking themes of resilience, solitude, and cultural identity. The staff could symbolize authority or guidance, while the pipe might represent contemplation or ritual.
The presence of Cyrillic script in the lower right corner introduces an element of context – a reference to its origin – without explicitly defining it. This textual inclusion adds a layer of complexity, suggesting that the image is not merely a depiction but also a record or study of a particular cultural group or tradition.