Hunter Roerich N.K. (Part 2)
Roerich N.K. – Hunter
1912. Paper on cardboard, graphite pencil, tempera. 23.7 x 15.6 cm.
Edit attribution
Download full size: 517×777 px (0,1 Mb)
Back to album: Roerich N.K. (Part 2)
Location: Bakhrushin Theatre Museum, Moscow (Театральный музей им. А. А. Бахрушина).
Кому понравилось
Пожалуйста, подождите
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
You need to login
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).



















You cannot comment Why?
The color palette is limited but impactful. Predominantly earthy tones – greens, reds, browns – dominate the figure’s attire, suggesting a connection to nature or perhaps a rustic profession. The contrast between the green tunic and red trousers creates visual interest and draws attention to the lower portion of the body. The pale skin tone stands out against these darker hues, highlighting the face and contributing to an almost spectral quality.
The mans expression is neutral, bordering on impassive. This lack of overt emotion lends a certain ambiguity to his character; he could be interpreted as stoic, weary, or simply detached from the viewer. The head appears somewhat disproportionate to the body, further reinforcing the sense that this is not a naturalistic representation but rather an idealized or symbolic one.
The text inscribed at the bottom right corner introduces another layer of complexity. It’s written in a script unfamiliar to many viewers, adding to the feeling of otherness and potentially hinting at a cultural context beyond immediate comprehension. The presence of writing suggests that this figure is meant to be understood as something more than just an individual; he represents a type or archetype.
Subtly, theres a sense of theatricality present. The rigid posture, the carefully arranged props (spear and horn), and the somewhat artificial coloring all point towards a constructed persona rather than a spontaneous moment captured in time. This could imply themes of performance, identity construction, or perhaps even a commentary on societal roles and expectations. The figure’s isolation against the dark background reinforces this sense of detachment and invites contemplation about his purpose and significance within an unseen narrative.