Roerich N.K. – Knight Formation
1912. Paper on cardboard gray, graphite pencil, watercolor, gouache. 24.3 x 16 cm.
Location: Bakhrushin Theatre Museum, Moscow (Театральный музей им. А. А. Бахрушина).
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The lower portion of the figure is encased in mail extending to greaves protecting the shins, culminating in sturdy leather boots. A large heater shield, bearing a stylized heraldic design – a red field bisected by a white flame-like motif – is held at the left side. The soldier grips a spear firmly in his right hand, poised but not actively engaged.
The color palette is restrained; earthy tones of brown and ochre dominate, punctuated by the crimson of the shield’s emblem and touches of silver highlighting the metalwork. The artists use of line work emphasizes the contours and structure of the armor, creating a sense of weight and solidity. There is an intentional flatness to the composition, lacking depth or perspective cues beyond the figure itself.
Subtly, the drawing conveys a sense of stoicism and preparedness. The soldier’s posture suggests vigilance rather than aggression; he embodies readiness for action but remains at rest. The absence of any surrounding landscape or other figures isolates him, emphasizing his role as an individual unit within a larger military structure. The heraldic emblem on the shield hints at allegiance to a specific house or kingdom, though its precise meaning is left ambiguous. Overall, the drawing appears to be a study – perhaps for costume design or historical illustration – focused on accurately depicting the form and function of medieval armor rather than conveying narrative content.