Roerich N.K. – Flying Carpet
1916. Tempera on canvas. 130 x 145 cm.
Location: Gorlovka Art Museum. Ukraine
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The middle ground unfolds into a vista of undulating hills and a body of water that stretches towards a distant horizon. The palette here is muted, employing blues, greens, and pale yellows to convey atmospheric perspective and distance. This area lacks sharp definition; it appears as an idealized, almost abstract representation of nature.
Above this landscape floats the central element: a fantastical carpet or platform, intricately patterned with geometric designs in red, gold, and cream. It is suspended against a sky filled with voluminous clouds, painted in cool blues and whites. The placement of this object defies gravity and logic, immediately signaling a departure from reality into the realm of imagination. A dark shape, possibly a bird or another aerial form, drifts near the upper left corner, adding to the sense of otherworldly presence.
The painting’s subtexts revolve around themes of aspiration, escape, and the power of narrative. The figure in the foreground seems to be witnessing something extraordinary, suggesting a longing for transcendence. The flying carpet itself embodies this desire – it is a vehicle for travel beyond earthly limitations, a symbol of dreams realized or journeys undertaken. The muted landscape below contrasts with the vibrancy of the floating platform, highlighting the allure of the unknown and the potential for transformation.
The artist’s use of flattened perspective and simplified forms contributes to the paintings symbolic weight. Details are sacrificed in favor of conveying an emotional resonance – a feeling of wonder and possibility that transcends literal representation. The overall effect is one of quiet contemplation, inviting the viewer to consider their own aspirations and the boundaries between reality and imagination.