Roerich N.K. – Dance hunters (Holy hunters) # 84
1921. Canvas, oil tempera. 50.8 x 76.2 cm.
Location: Private collection. United States
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Below the totem, a rounded hill rises from a landscape defined by a broad body of water and distant mountains rendered in simplified forms. Two figures stand atop this mound. One holds a drum-like object, poised to initiate or accompany some form of ceremony. The other figure leans against the pole, his posture suggesting contemplation or perhaps a role as an observer within the ritualistic setting.
A line of similarly stylized figures extends from the base of the hill into the foreground. These individuals appear to be engaged in a repetitive action, possibly a dance or procession, their forms echoing the verticality of the totem and creating a sense of rhythmic movement. Above them, two indistinct shapes float in the sky, adding an element of mystery and potentially representing spirits or supernatural entities.
The color palette is restrained, relying on earthy tones – browns, ochres, and muted greens – contrasted with patches of blue in the sky and water. This limited range contributes to a sense of solemnity and reinforces the symbolic nature of the scene.
Subtexts within the work hint at themes of ancestral veneration, spiritual connection, and communal identity. The totem pole acts as a focal point for these beliefs, while the ritualistic actions performed by the figures suggest an attempt to communicate with or appease forces beyond human comprehension. The simplified forms and stylized representations lend the scene a timeless quality, suggesting that this ceremony has been repeated across generations. The overall impression is one of profound cultural significance and a deep connection between humanity and the natural world.