Roerich N.K. – Chamber Berendey
1912. Tempera on cardboard, pencil. 55.6 x 71.2 cm.
Location: Collection AV Melnikova. Russia.Moskva
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The architecture itself appears to be constructed from massive beams and supports, arranged in a complex network that draws the eye upward. The perspective is unusual; it’s not entirely consistent with traditional spatial representation. Instead, theres a deliberate distortion intended to emphasize the ornamental nature of the space. Two arched openings punctuate the central wall, framing views of landscapes rendered in a more conventional, albeit still stylized, manner. These external scenes offer glimpses of what appear to be towns or settlements nestled within rolling hills and under a pale sky.
The color palette contributes significantly to the overall mood. The warm tones of red and orange evoke feelings of warmth, enclosure, and perhaps even protection. The blue accents provide contrast and visual interest, while the green hints at life and growth beyond the confines of the chamber.
Subtly, the painting suggests a sense of isolation or retreat. The interior space feels self-contained, almost hermetic, with the external world viewed through these framed windows as if it were a distant memory or an idealized vision. This could imply themes of introspection, preservation of tradition, or a yearning for something beyond the immediate reality. The highly decorative nature of the chamber itself might symbolize a desire to create a sanctuary – a place removed from the harshness or uncertainties of the outside world.
The deliberate flattening and stylization suggest an interest in folk art traditions and perhaps a rejection of academic realism. It’s as if the artist is prioritizing symbolic meaning and aesthetic impact over accurate representation, creating a space that exists more within the realm of imagination than physical reality.