Roerich N.K. – Bulletin come # 10 (Journal)
1922. Tempera on canvas. 101.8 x 73.9 cm.
Location: International N.K. Roerich’s Center-Museum, Moscow (Международный Центр-Музей им. Н.К. Рериха).
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Beyond the threshold, a landscape stretches into the distance, dominated by a stormy sky punctuated by flashes of light. The horizon line is low, emphasizing the vastness of the scene and creating a sense of foreboding. Flanking the architectural structure are two additional figures, partially obscured in shadow, their forms appearing almost spectral. They seem to be positioned as witnesses or guardians, their presence adding an element of solemnity and mystery.
The upper portion of the composition is filled with intricate ornamentation – a complex frieze that suggests a sacred space. The color palette throughout is restrained, relying on earthy tones punctuated by bursts of intense color in the doorway and within the landscape. This selective use of color directs the viewers eye to key elements of the narrative.
Subtly, the painting explores themes of submission, authority, and perhaps, divine intervention. The posture of the supplicant suggests a plea for grace or assistance from the figure standing within the doorway. The stormy sky hints at turmoil or challenge, while the distant landscape evokes a sense of journey or transition. The spectral figures on either side introduce an element of spirituality, suggesting that this encounter takes place in a realm beyond the everyday. Overall, the work conveys a feeling of profound significance and spiritual weight, inviting contemplation about power dynamics, faith, and the human condition.