Roerich N.K. – Berendey Village (Sloboda Berendeev)
1919 or 1921. Canvas, oil or tempera
Location: National Museum of Serbia. Beograd
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Behind the village, a series of undulating hills rise towards a backdrop of distant mountains. The landscape is flattened, lacking depth perception through traditional perspective techniques; instead, color variations are used to suggest recession. A river or stream meanders through the scene, its course marked by a lighter blue tone and reflecting the sky above.
The sky itself is rendered in broad strokes of yellow and pink, with large, cloud-like formations that contribute to the overall sense of dreamlike quality. The light appears diffuse and even, casting minimal shadows and creating a somewhat artificial atmosphere. A tall structure, possibly a tower or steeple, punctuates the skyline, its presence adding verticality to the composition.
The painting’s subtexts seem to revolve around an idealized vision of rural life. The vibrant colors and simplified forms suggest a romanticized view of community and tradition. The unusual architecture hints at a unique cultural identity, perhaps emphasizing a sense of isolation or self-sufficiency. There is a deliberate distancing from realism; the artist seems less interested in accurately portraying a specific place than in conveying an emotional response to it – a feeling of nostalgia, tranquility, or even a yearning for a simpler existence. The flattened perspective and stylized forms contribute to this effect, creating a world that feels both familiar and otherworldly.