Language of Birds (Avian language) (sketch) Roerich N.K. (Part 2)

The composition presents a figure engaged in what appears to be communication with a parrot. The woman is positioned centrally within the frame, her posture suggesting attentiveness and receptivity. Her hand is raised, palm outward, as if offering or receiving something intangible – perhaps a message carried by the bird. A crescent moon mark adorns her upper arm, adding an element of symbolic significance that could relate to cycles, femininity, or intuition.
The parrot, rendered in vibrant hues of red and green, occupies the right side of the canvas. Its posture is upright, its gaze directed towards the woman, reinforcing the sense of interaction between them. The bird’s placement suggests a connection beyond the purely visual; it implies an exchange of information or understanding.
The background is characterized by simplified forms and a limited palette. A dark, vertical element on the left side could be interpreted as a tree trunk, grounding the scene in nature. Behind the woman, a broad expanse of turquoise creates a sense of depth while also contributing to the overall dreamlike quality of the work. The flatness of the background emphasizes the figures within, drawing attention to their interaction.
The artist’s use of bold outlines and flattened planes contributes to a stylized aesthetic that evokes traditional folk art or miniature painting styles. This stylistic choice lends an air of timelessness to the scene, suggesting that the depicted communication transcends specific cultural or historical contexts.
Subtly, there is a sense of mystery surrounding this encounter. The woman’s expression is serene but unreadable, leaving the nature of her interaction with the parrot open to interpretation. Is she listening? Teaching? Learning? The ambiguity invites contemplation on themes of language, understanding, and the potential for connection between humans and the natural world.