The people of Roerich N.K. (Part 2)

Here we observe a procession of figures rendered in a stylized and somewhat flattened perspective. The composition is dominated by a horizontal arrangement; individuals are presented as if moving from left to right across the viewers field of vision. Their poses suggest a deliberate, formal occasion rather than spontaneous interaction.
The artist employed a limited palette, primarily consisting of ochre, yellow, brown, and blue hues. These colors contribute to an overall sense of austerity and perhaps even solemnity. The figures are clad in garments that appear both functional and decorative; the use of contrasting bands of color on their robes suggests a hierarchical system or regional distinction. Facial features are simplified, with large eyes and elongated noses, contributing to a generalized representation rather than individual portraiture.
The background is indistinct, appearing as a pale, neutral space which serves to emphasize the figures themselves. The lack of depth creates an almost theatrical effect, placing the focus squarely on the procession.
Subtexts within this work seem to revolve around themes of community and authority. The uniformity in dress and posture suggests adherence to established customs or social structures. The central figure, distinguished by his beard and elaborate headwear, appears to hold a position of prominence, potentially representing leadership or religious significance. The arrangement implies an order, a sequence of importance that the artist sought to convey.
The overall impression is one of formality and tradition; it evokes a sense of collective identity and shared purpose within a defined cultural context. The deliberate lack of detail encourages viewers to contemplate broader societal structures rather than individual personalities.