Sketch of costume Roerich N.K. (Part 2)

The drawing presents a figure in what appears to be historical dress, rendered against a dark, almost black background that absorbs much of the surrounding light. The subject is positioned centrally within the frame, facing directly forward, which establishes a sense of immediate presence and direct engagement with the viewer.
Here we see a woman clad in a voluminous gown of reddish-brown hue. The fabric seems to be depicted with broad brushstrokes, suggesting texture and weight. A lighter, gold-toned material is draped across the front of the garment, creating a focal point that draws attention to the torso area. The sleeves are wide and full, contributing to the overall impression of opulence or formality associated with the attire.
The face is rendered in muted tones, with an emphasis on the cheeks which appear flushed or rosy. The hair is styled in loose waves, framing the face and softening its features. A high collar adds a touch of rigidity to the otherwise flowing lines of the costume.
The artist’s use of color is restrained; the limited palette reinforces the focus on form and texture rather than vibrant expression. The dark background serves not only as contrast but also creates an isolating effect, emphasizing the figures solitary presence. This isolation could be interpreted in several ways – perhaps suggesting a moment of introspection or highlighting the individual within a larger societal context.
The drawing’s style suggests it is likely a preparatory study for a theatrical production or costume design. The simplified forms and lack of detailed background indicate that the artist was primarily concerned with capturing the essence of the garments shape, volume, and color relationships rather than creating a fully realized portrait. The sketch conveys an impression of historical authenticity while simultaneously possessing a certain stylized quality indicative of its function as a design element.