Sketch of costume for opera Rimsky-Korsakoff "A Tale of King Saltane" (3) Roerich N.K. (Part 2)

The drawing presents a figure viewed from behind, seemingly engaged in a moment of quiet observation or contemplation within a landscape. The subject is heavily cloaked, obscuring much of their form and suggesting anonymity or perhaps a deliberate attempt at concealing identity. The cloak itself is voluminous, its folds rendered with quick, gestural strokes that convey texture and weight. A pointed hood dominates the upper portion of the figure, further contributing to an air of mystery and distance.
The lower edge of the garment displays a decorative band featuring geometric patterns – a motif likely intended to signify cultural or social status within the narrative context. The boots are substantial, hinting at travel or a connection to a more rustic existence. A staff is held in one hand, providing both support and suggesting a journey undertaken.
The background is loosely sketched with dark, vertical strokes that evoke trees or perhaps a dense thicket. This backdrop creates a sense of enclosure and isolation for the central figure. The limited tonal range – primarily blacks and grays – emphasizes form and silhouette rather than detailed rendering.
Subtly, the composition implies themes of solitude, journey, and possibly secrecy. Given its function as a costume sketch for an opera based on folklore, one might interpret this figure as representing a character associated with the wilderness or possessing hidden knowledge. The obscured face and posture invite speculation about their role within the unfolding narrative – are they a guide, a guardian, or perhaps something more enigmatic? The overall effect is one of restrained drama and understated symbolism, characteristic of designs intended to evoke atmosphere and suggest deeper meanings beyond the surface appearance.