Saint Mary Magdalene penitent Giampietrino (Giovanni Pietro Rizzoli) (fl.1508-1549)

The composition presents a figure in a moment of profound introspection and repentance. Here we observe a woman, partially draped in a crimson cloth that clings loosely to her form, positioned against a dark, indeterminate background. Her posture is characterized by a physical vulnerability; one shoulder is bare, exposing the contours of her arm and torso, while her hand rests upon her breast in a gesture suggestive of contrition or self-awareness.
The woman’s gaze is directed upwards and slightly to the right, conveying a sense of longing or supplication. Her face, rendered with meticulous attention to detail, displays an expression that blends sorrow and humility. The artist has employed subtle shading to emphasize the planes of her features, creating a palpable sense of emotional depth.
To the figure’s right, a small table holds several symbolic objects. A book lies open, its pages seemingly filled with script, perhaps representing scripture or a record of past transgressions. Beside it stands a slender cross, affixed to a staff, depicting a crucified figure – a clear reference to Christs sacrifice and the possibility of redemption. A small vessel, likely intended as an oil lamp or container for holy water, completes the still life arrangement.
The color palette is restrained but impactful. The dominant hues are earthy tones – browns, ochres, and reds – which contribute to a somber and contemplative atmosphere. The crimson cloth provides a striking contrast against the figure’s pale skin, drawing attention to her vulnerability and emphasizing the symbolic weight of repentance.
Subtly, the artist uses light to guide the viewers eye. It illuminates the woman’s face and upper body, highlighting her emotional state while leaving the background in shadow, suggesting a transition from darkness into grace. The overall effect is one of quiet intensity, inviting contemplation on themes of sin, forgiveness, and spiritual renewal.