Benvenuto Benvenuti – #44071
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Flanking the gate are dense thickets of foliage rendered in a textured impasto technique. These areas are not sharply defined but rather blend into one another using a palette dominated by muted browns, greens, and touches of purple, contributing to an overall atmosphere of subdued light and shadow. The brushwork is loose and expressive, conveying a sense of organic growth and natural decay.
Two birds in flight are positioned on either side of the gate, their forms delineated with swift, economical strokes. They appear poised, as if about to depart or return, adding a subtle element of movement within the otherwise static scene. At the base of the gate, a sheep is depicted grazing, its posture suggesting contentment and absorption in the present moment.
Above the gate, a scattering of leaves drifts downwards, hinting at the passage of time and the cyclical nature of seasons. The background is indistinct, composed of warm tones that create a hazy depth, further emphasizing the feeling of isolation and introspection.
The subtexts within this painting seem to revolve around themes of transition, memory, and the relationship between humanity and nature. The gate can be interpreted as a symbolic barrier – a threshold between different states of being or realms of experience. The sheep’s presence evokes pastoral imagery, representing simplicity and innocence. The birds suggest freedom and aspiration, while the falling leaves underscore the ephemeral quality of existence. Overall, the work conveys a sense of longing for something beyond the immediate reality, inviting contemplation on themes of loss, remembrance, and the enduring beauty of the natural world.