lissitzky tatlin at work 1921-2 Lissitzky

The composition presents a complex interplay of figuration and abstraction, seemingly depicting a moment of creative labor within a constructed environment. A central figure, rendered in pale tones, stands on a simple, geometric stool. He appears to be engaged in an act of drawing or sketching, holding a pencil poised above a large, dark surface that functions as both backdrop and easel. The figure’s posture suggests intense concentration, his gaze directed towards the unseen subject he is capturing.
The surrounding space is fragmented into angular planes and blocks of color – reds, blacks, grays, and ochres – creating a dynamic, almost architectural setting. These geometric forms do not adhere to traditional perspective; instead, they overlap and intersect, generating a sense of spatial ambiguity and visual tension. A series of circular motifs are scattered throughout the composition, some complete, others partial or implied, contributing to the overall rhythm and structure.
Mathematical notations – integrals and infinity symbols – are incorporated into the lower portion of the image, hinting at an underlying intellectual framework or system guiding the creative process. These elements suggest a connection between artistic creation and scientific principles, reflecting a broader interest in rationalizing aesthetics. The inclusion of these symbols also implies that the act of making is not merely intuitive but governed by precise calculations and formulas.
The upper portion features a horizontal band of orange, partially obscuring a circular form with a central eye-like detail. This element introduces an enigmatic quality to the work; it could be interpreted as a symbolic representation of observation, perception, or even surveillance. The overall effect is one of controlled chaos – a deliberate arrangement of disparate elements that coalesce into a unified visual statement about creativity, intellect, and the relationship between the artist and their environment. It’s not merely a depiction of someone at work; its an exploration of the very process of creation itself.