Jules Pascin – Young Women at a Table; Jeunes Filles Attablees (Recto)
~1915-1919.
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Here we see an emphasis on angularity; the women’s faces possess elongated features with prominent noses and large eyes that convey a certain melancholy. The artist has employed broad brushstrokes to define their clothing – one woman in a blue-tinged blouse over a brown dress, the other in a white garment accented by a reddish-brown detail at the neckline. These garments appear somewhat stiff and geometrically shaped, contributing to the overall sense of formality.
The table itself is rendered with minimal detail, appearing as a flat plane covered with a light-colored cloth. The background is indistinct, composed of washes of yellow and brown that create an ambiguous spatial context. This lack of depth reinforces the focus on the figures themselves.
Subtleties within the work hint at underlying themes beyond a simple depiction of two women at leisure. Their averted gazes could be interpreted as indicative of alienation or quiet contemplation in a modern setting. The somewhat stylized and flattened forms suggest an interest in exploring psychological states rather than purely representational accuracy. The limited color range, dominated by earth tones and muted blues, contributes to the paintings somber mood.
The arrangement of the figures – close but not engaged – might allude to the complexities of human relationships within a rapidly changing social landscape. There is an underlying sense of restraint and formality that contrasts with any potential for intimacy between the two women. The overall effect is one of quiet observation, inviting viewers to ponder the unspoken narratives unfolding within this seemingly simple scene.