Olof Johan Sodermark (After) – Jenny Lind (1820-1887)
after 1844. 24×19
Location: National Museum (Nationalmuseum), Stockholm.
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The artist has rendered her with meticulous detail, particularly in the depiction of her skin tone and the texture of her hair. The complexion appears delicate, hinting at a refined sensibility. A cascade of tightly curled auburn hair frames her face, softening its features while also contributing to a sense of youthful exuberance. The curls are painted with considerable care, each strand individually defined, which lends volume and dimension to the hairstyle.
She is dressed in a pale blue garment adorned with elaborate white lace detailing around the neckline. This choice of attire speaks to an elevated social standing; the lace suggests wealth and careful attention to presentation. The color palette is restrained – primarily muted blues, browns, and flesh tones – which contributes to a sense of quiet dignity and understated elegance.
The background is dark and indistinct, serving to isolate the subject and emphasize her presence. This lack of environmental context reinforces the focus on her individual character and perceived inner life. Theres an intentional ambiguity in her expression; it’s neither overtly joyful nor sorrowful, but rather conveys a subtle complexity that invites interpretation.
Subtly, the portrait seems to aim for more than just a likeness. The careful rendering of details, the choice of clothing, and the restrained emotional presentation all contribute to constructing an image of someone perceived as possessing both beauty and virtue – a figure worthy of admiration and respect. It’s likely intended to convey not only physical appearance but also qualities associated with refinement, intelligence, and perhaps even moral uprightness.