Ambrosius Benson – The Concert after the Meal
oil on panel
Location: Louvre (Musée du Louvre), Paris.
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The composition is structured around the central table, which serves as the focal point for the musical activity taking place. Five individuals participate in this impromptu concert: two men playing lutes, one man with a viol, and two women each holding a flute. Their expressions are largely serene, suggesting an absorption in the music rather than overt emotional display. The woman seated at the table appears to be directing or presiding over the musical performance; her posture is upright, and she holds what seems to be sheet music or a songbook.
The clothing of the figures indicates a level of social standing – elaborate garments with rich fabrics and detailed embroidery are evident on all participants. This detail reinforces the impression of an aristocratic or wealthy setting. The men wear caps adorned with feathers and jewels, while the women’s dresses feature intricate patterns and fitted bodices.
Beyond the immediate scene, the landscape visible through the arcade provides a sense of depth and spaciousness. The buildings in the distance suggest a town or city, hinting at a connection to broader society, although the figures within the loggia seem insulated from it.
Subtleties within the painting invite further consideration. A small black dog sits attentively beneath the table, adding a touch of domesticity and perhaps symbolizing fidelity or companionship. The presence of musical instruments suggests an appreciation for the arts and intellectual pursuits, which were often associated with humanist ideals during this period. The remnants of the meal imply that the concert follows a shared repast, reinforcing the sense of communal enjoyment and social bonding.
The overall impression is one of cultivated pleasure and refined sociability – a moment captured in time where music, food, and companionship converge within an elegant setting.