In the mountains. Sketch of scenery for opera Carmen by G. Bizet Alexander Golovin (1863-1930)

The work presents a dramatic mountain landscape, seemingly intended as a backdrop for a theatrical production. The composition is dominated by towering rock formations that press in on the viewer, creating a sense of enclosure and imposing scale. These geological features are rendered with broad, expressive brushstrokes, emphasizing their rugged texture and irregular contours. A limited palette of dark greens, blacks, and purples contributes to the overall somber mood.
A small area of lighter color, situated towards the center-right, suggests a clearing or perhaps a rudimentary campsite. The presence of what appears to be a fire hints at human activity within this otherwise desolate environment. This focal point is subtly illuminated by a pale yellow light emanating from above, likely representing the moon.
The artist’s use of perspective is unconventional; the rocks seem to converge towards an undefined vanishing point, further amplifying the feeling of depth and vastness. The sky itself is not fully visible, but what can be seen suggests a twilight or predawn hour, adding to the atmosphere of mystery and potential danger.
Subtextually, this scene evokes themes of isolation, vulnerability, and perhaps even refuge. The imposing mountains could symbolize insurmountable obstacles or a sense of being trapped. The small fire represents a fragile beacon of hope or survival in an otherwise hostile setting. Given its intended use as scenery for an opera, the landscape likely serves to underscore the emotional intensity and dramatic tension of the narrative unfolding before it – hinting at hidden dangers, clandestine meetings, or moments of profound introspection within this remote location.