#11863 Raymond Daussy (1918-)

The composition presents a figure suspended within an architectural space defined by converging curves and sharp angles. The setting appears to be an interior, possibly a vault or dome, constructed from precisely rendered blocks that suggest masonry. A ramp-like structure leads into the scene from the lower left corner, its perspective lines reinforcing the sense of depth and spatial recession.
The central element is a complex assemblage of geometric forms – a framework resembling a mechanized carriage or flying machine. Within this construct, a figure reclines, seemingly relaxed despite the unusual apparatus they occupy. The individual’s posture suggests both repose and a degree of vulnerability, as if surrendered to the devices movement. A single sail-like element is attached to a central mast, hinting at propulsion or navigation.
The color palette is restrained, dominated by muted earth tones – ochre, beige, and brown – which contribute to an atmosphere of quiet contemplation. The limited range of hues emphasizes the formal qualities of the composition and directs attention towards the interplay of lines and planes.
Subtly, a sense of detachment pervades the work. The figure’s isolation within the architectural space suggests a separation from everyday experience. The mechanical device implies a journey or transition – a movement away from a known location toward an uncertain destination. This could be interpreted as a metaphor for progress, technological advancement, or perhaps even alienation in a rapidly changing world.
The precision of the rendering and the geometric rigor of the forms suggest a deliberate attempt to explore themes of order, control, and the relationship between humanity and technology. The overall effect is one of quiet dynamism – a stillness that belies an underlying sense of motion and potential.