Charles Samuel Keene – Study for Title Page, from Punch, Volume 55
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Around this central figure, other individuals are arranged in various poses: some appear to be observing the proceedings, others seem actively involved. A man on horseback is visible towards the right edge, his posture conveying a sense of detached observation or perhaps ironic participation. Above him, a smaller figure appears to be falling or being thrown upwards, adding to the overall feeling of disarray and playful absurdity.
The presence of a small dog seated at the base of the central figure introduces an element of domesticity amidst the spectacle. The animal’s posture – alert yet seemingly unfazed by the surrounding commotion – provides a subtle contrast to the exaggerated expressions and gestures of the human figures.
Scattered notations, visible in the lower left and right corners, suggest that this is indeed a study or preparatory sketch for a larger work, likely intended for publication. These markings may represent annotations related to composition, characterization, or textual elements accompanying the final illustration. The drawing’s unfinished quality contributes to its immediacy and vitality; it feels less like a polished product and more like a snapshot of creative thought in progress.
Subtly, the work seems to critique social conventions or political figures through caricature and satire. The exaggerated features and costumes suggest a mocking portrayal of those in positions of power or influence. The overall atmosphere is one of controlled chaos – a deliberate disruption of order intended to provoke amusement and perhaps even critical reflection on the subject matter.