Antique world maps HQ – Andromeda, Perseus and Caput Medusae, Triangula, Gloria Frederici
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The artist employed a muted palette, primarily consisting of beige, brown, and pale pink hues, lending an air of antiquity and scientific objectivity to the scene. The constellations themselves are shaded in varying tones, creating a sense of depth and volume within the flat plane of the paper. Individual stars are marked with distinct symbols – some as simple dots, others as crosses or asterisks – indicating their relative brightness.
Along the upper edge, Roman numerals mark declination degrees, while along the right side, numbers indicate ascension hours. A grid system is superimposed upon the constellations, providing a framework for precise astronomical measurement and location. The inclusion of these numerical markers underscores the work’s function as a scientific document rather than purely an artistic endeavor.
The presence of mythological names – Andromeda, Perseus, Caput Medusae – suggests a deliberate attempt to reconcile classical mythology with empirical observation. These figures, traditionally associated with heroic narratives and divine intervention, are here reduced to points within a larger cosmic order. The inclusion of Gloria Frederici as a constellation name introduces an element of personal significance or commemoration, hinting at the patron or individual for whom this chart was created.
The overall effect is one of ordered complexity – a visual representation of the vastness and precision of the cosmos, filtered through the lens of both scientific inquiry and cultural heritage. The meticulous detail and technical execution suggest a commitment to accuracy and a desire to convey not only the appearance but also the measurable properties of these celestial formations.